Nick Boulle is confirmed to race with Inter Europol Competition in the 2025 24 Hours of Le Mans.
As part of the prize for winning last year’s IMSA Driver’s and Team Championship – de Boulle Motorsports received the “Truman Award.” This award grants Nick Boulle a “golden ticket” entry to the prestigious Le Mans 24 Hours where he will compete in the LMP2 class. He will be joined by team regular Luca Ghiotto and newcomer to the team, Le Mans local, Jean-Baptiste Simmenauer.
With the 93rd running of the 24- hour race, the trios #34 and #43 will race against 62 cars, including 15 LMP2 rivals.
This will mark Boulle’s third time to compete at the World’s most iconic motorsport event. Boulle previously raced alongside David Cheng and Pierre Nicolet where they placed 7th place in LMP2.
“Competing with this lineup in the 24 Hours of Le Mans is the realization of a lifelong dream and the ultimate test for any driver in motorsport,” Boulle shared. “I’m incredibly proud to take on this challenge, representing not only our team and family but also our business.”
“Doing this with Inter Europol Competition after such an incredible season last year driving alongside Kuba and Tom is going to be a highlight for me. I am looking forward to it in part because we always had so much fun with Kuba, Sascha, Tom and this IEC family team. And on top of that, they have shown that they know how to put together an amazing car for this race in particular. We will put our heads down and fight to make a great result happen.”
“I’m excited to get to know Luca and JB as we prep for this event. We’ll do everything we can to make something very special happen! In fact, the day of the start of the race is my daughter, Celine’s, first birthday so my hope is that she will bring us a lot of good luck (and we can all celebrate her birthday in France!)”
To make Boulle’s debut possible, de Boulle Motorsports has partnered with several prominent companies: Mizzen & Main, Graff Interests, Focus Commercial Real Estate, 7S Investments, Haas Company, and Fleur de Lis Energy to name a few.
Emerald: A Stone Carried Through Time
There are few gemstones whose name has remained so constant across centuries, languages, and civilizations. Derived from the Greek smaragdos, meaning simply “green stone,” the word emerald has echoed through Arabic as zamarut, through French as émeraude, and through Italian as smeraldo. Long before gemology defined it as a variety of beryl, emerald was understood through something far more immediate: its color, presence, and ability to hold the eye in a way few other stones could.
Pliny the Elder, the Roman scholar whose Naturalis Historia became one of the most influential encyclopedic works of the ancient world, wrote of emeralds with a reverence that still feels strikingly modern: “After the diamond and the pearl, the third place is given to the emerald for many reasons. No other colour is so pleasing to the sight… nothing whatever can be compared to the intensity of its green… they are the only gems that satisfy the eye without fatiguing it.”
Origins of a Living Stone
Emeralds have been mined and treasured for over two thousand years, with the earliest known sources traced to ancient Egypt. In the Eastern Desert, near what the Romans would later call Mons Smaragdus, these stones were extracted from the earth and carried into the hands of pharaohs, traders, and eventually empires. Cleopatra, perhaps history’s most famous collector, was known for her deep affinity for emeralds, using them not only as adornment but as symbols of power and identity. When Alexander the Great took Egypt, emeralds traveled with conquest, entering Roman society where they became objects of fascination among scholars and artisans alike.
Yet Egypt was only the beginning.
By the 16th century, the discovery of Colombia transformed the emerald trade entirely. Stones of remarkable clarity and saturation began to move across continents, finding their way into the Mughal Empire, where they were carved, inscribed, and revered not just as gemstones, but as objects of philosophy and devotion. Even today, Mughal emeralds remain among the most coveted pieces to appear at auction. Elsewhere, deposits in Austria’s Habach Valley, Russia’s Ural Mountains, and later Zambia expanded the understanding of emerald beyond a single origin.
The stone became a global phenomenon shaped by geology and time.
Belief, Power, and the Medieval World
As emeralds moved through history, they began to take on meanings beyond their physical beauty. In medieval Europe, gemstones were believed to hold properties that extended into the spiritual and intellectual realms. Emeralds, in particular, were associated with clarity of thought, emotional balance, and even the ability to restore vision. Scholars such as Albertus Magnus wrote of their calming influence, while members of the clergy guarded their supposed powers within the practice of lithotherapy.
They were also deeply embedded in the visual language of religion and royalty. The Emerald Cross attributed to Emperor Charlemagne stands as one of the most enduring symbols of this connection. Said to have been gifted by Byzantine rulers, the cross features a central emerald that signified divine favor and imperial authority. Whether viewed as relic or legend, it reflects the way emeralds came to represent something far greater than ornament. They became markers of belief, of power, and of permanence.
This symbolism has never fully disappeared; it has simply been carried forward, evolving in form while preserving its original intent.
It finds a natural continuation in pieces such as the deBoulle High Jewelry Collection Emerald Bottony Cross Pendant. Centered around a remarkable 17.66 carat emerald, the design draws directly from ecclesiastical tradition, its structured form echoing centuries of spiritual and artistic influence. It does not reinterpret the past, but honors it through proportion, symmetry, and the quiet precision of its setting. The pendant becomes more than an object of adornment; it becomes part of a lineage, where belief, craftsmanship, and material meet with intention.
Zambia and the Modern Emerald Era
If Colombia reshaped the emerald trade in the 16th century, Zambia has come to define its modern evolution. Discovered in the 20th century but only widely developed decades later, Zambian emeralds have emerged as some of the most important stones in the contemporary market. Formed approximately 500 million years ago within the Pan-African geological belt, they are known for their deeper, more saturated green tones and exceptional clarity. The Kagem mine, located in the Kafubu region, now stands as the largest single emerald-producing mine in the world, responsible for a significant portion of global supply.
What distinguishes Zambian emeralds is not just their origin, but their reliability. While each stone retains its individuality, there is a clarity of color and structure that allows for a more deliberate, more architectural approach to setting.
A Stone Reimagined Through Craft
In the deBoulle High Jewelry Emerald Pendant, that precision becomes immediately visible. A rectangular step-cut Zambian emerald is suspended within an openwork diamond lattice, allowing light to pass through the structure rather than simply reflect from its surface.
The setting does not confine the stone, but reveals it. There is a clarity to the composition that feels intentional, where negative space becomes as important as form, and where the emerald’s depth is allowed to unfold gradually, rather than announce itself all at once.
That same philosophy finds a more sculptural expression in the deBoulle High Jewelry Collection Zambian Emerald Elegance Ring. Here, an 11.24 carat pear-shaped emerald anchors the design, its vivid green framed by an arrangement of marquise, pear, and round brilliant diamonds. The composition draws the eye inward, not through excess, but through movement, each facet contributing to a rhythm that ultimately returns to the center stone.
It is not simply a setting, but a study in balance.
What Endures
Across centuries, emeralds have never relied on brilliance alone to command attention. They do not reflect light in the way a diamond does; instead, emeralds absorb, deepen, and return light more slowly, creating a sense of depth that feels almost internal. Even newly set, an emerald carries a history that does not need to be seen to be felt.
Its color and quiet intensity suggest something older than the moment in which it is worn. In this way, it places the wearer within a lineage—not through inheritance, but through presence: a subtle connection to centuries of meaning held within the stone itself.
Jewelry, at its most meaningful, follows this same principle. A cross pendant, shaped with intention, reflects it most clearly, its form carried through generations of belief and devotion, worn not as decoration, but as something closer to conviction. At deBoulle, this understanding shapes the way emeralds are approached, not as a trend, but as a continuation. Each piece balances history and modernity, allowing the stone to exist as it always has: not simply as something seen, but as something experienced. While empires have risen, trade routes have shifted, and techniques have evolved, the essence of the emerald remains unchanged, defined not by immediacy, but by the way it reveals itself over time.
Spring’s First Bloom: Jewelry for The Season of Renewal
Spring has a way of changing how we dress.
The layers become lighter, silhouettes soften, and there is a natural return to pieces that feel brighter, warmer, and more expressive. After months of heavier styling and darker palettes, spring invites something different, jewelry that feels effortless, luminous, and full of movement.
It is often the season when people begin reaching for gold again. Softer tones return. Diamonds feel less formal and more like part of everyday dressing. Statement pieces become less about occasion and more about energy, something worn because it reflects the mood of the season.
Jewelry, much like spring itself, becomes a way of marking transition.
Some pieces do this through color. Others through shape, texture, or the way they catch light throughout the day. The best spring jewelry does not feel overly precious or overly styled. It feels natural, something that moves easily from day into evening, from everyday rituals into celebrations that arrive with the season.
Light, Warmth, and Everyday Gold
The deBoulle Collection Linkedin Earrings capture that feeling through structure and warmth. Crafted in 18K yellow gold, the alternating emerald-cut shapes and diamond-encrusted links create a sense of rhythm that feels both polished and effortless. They have presence, but not heaviness, exactly the kind of earring that transforms even the simplest look.
That same balance appears in the deBoulle Collection Floating Diamond Necklace, where fancy-shaped diamonds seem to rest weightlessly against the skin. There is something distinctly spring-like about jewelry that feels light in movement but substantial in impact. It becomes less about formality and more about ease, luxury that feels lived in rather than reserved for special occasions.
Together, these pieces reflect one of the strongest shifts of the season: jewelry that feels elevated enough for celebration, yet effortless enough to become part of daily life.
The Return of Color
Color, of course, becomes impossible to ignore this time of year. The deBoulle Collection Morganite and Diamond Earrings introduce that shift beautifully. The soft blush tone of cushion-cut morganite feels fresh without being overly seasonal, offering a subtle warmth that pairs naturally with spring wardrobes. Surrounded by brilliant diamonds, the design feels refined rather than playful, giving pink a sophistication that makes it timeless rather than trend-driven.
Rather than bold statements, spring color often arrives through softer choices, tones that feel romantic, wearable, and quietly expressive. Morganite captures that balance perfectly, bringing warmth without overwhelming the rest of the look.
Jewelry Meant to Be Worn
For everyday wear, structure matters just as much as sparkle.
The deBoulle Collection Diamond Coil Wrap Bangle reflects the growing preference for jewelry that feels intentional but effortless. Its coiled silhouette gives it movement and personality, while the round brilliant diamonds add just enough light to make it feel elevated. It works beautifully alone, but like many of the best spring pieces, it becomes even stronger when layered, stacked with watches, bracelets, or worn as part of a more personal mix.
The same idea carries into rings, where boldness is shifting away from excess and toward shape.
The deBoulle Collection Pavé Domed Ring feels modern because of its confidence. The domed signet silhouette, accented by round brilliant diamonds and an emerald-cut center stone, creates a look that feels sculptural and clean. It is substantial without being overwhelming, making it the kind of piece that becomes part of a daily uniform rather than something saved for later.
This is where fine jewelry becomes most meaningful, not when it is reserved for special occasions, but when it becomes part of how someone dresses, moves, and lives.
A Season of Renewal
This is what defines spring jewelry now. It is not about following trends too closely or building an entirely new wardrobe. It is about choosing pieces that reflect the shift in season, lighter, warmer, and a little more expressive than what came before.
The best pieces do not announce themselves loudly. They become part of how you move through the season, catching light in small moments, adding confidence to familiar routines, and reminding you that style often changes most beautifully in subtle ways.
Spring does not arrive all at once. It happens gradually, in longer evenings, softer mornings, and the quiet instinct to reach for something brighter.
Jewelry follows the same rhythm.
And often, the first sign of a new season is simply the piece you choose to wear first.
A Mother’s Day Reflection: Designed to Be Passed On
There are certain forms of love that are not defined by a single moment, but by how they continue to unfold over time.
Mother’s Day is often framed as a celebration of presence, a pause to recognize what has already been given. Yet the relationships it honors are built more gradually, shaped through years of care, influence, and quiet understanding. What is exchanged on this day is rarely just a gift. At its most meaningful, it becomes something that reflects that continuity.
Jewelry has long held a place within this kind of exchange. Not simply as something worn, but as something carried forward, gathering meaning as it moves from one life into another. In this way, a Mother’s Day piece is not chosen only for how it appears now, but for how it will be worn, remembered, and one day passed on.
For those searching for meaningful jewelry gifts, few pieces carry as much intention as those designed to be passed from mother to daughter. The deBoulle Collection Emma designs emerge from this idea with unusual clarity. Created by a mother with her daughter in mind, they are not driven by trend or momentary appeal, but by the intention to create pieces that endure. Each design feels considered not only in its form, but in the life it is meant to live beyond the moment it is given.
There is a quiet intimacy in that kind of craftsmanship. A sense that the piece already belongs to a story, even before it is chosen.
Connection in Motion
The deBoulle Collection Emma Two Drop Earrings reflect this idea through form and movement. Crafted in a harmonious blend of 18K yellow and white gold, the design brings together round diamond centers and pavé-set huggies in a composition that feels both structured and fluid.
As they move, the diamonds catch light in a way that feels continuous rather than momentary, creating a rhythm that unfolds gently with each turn of the head. There is a balance within the design that feels instinctive. Two forms, distinct yet connected, moving together without losing their individuality.
It is this sense of connection, subtle and unforced, that gives the piece its presence. Not defined by excess, but by proportion, intention, and the quiet way it responds to motion.
Worn, Then Remembered
If the earrings capture connection, the deBoulle Collection Signature Emma Necklace speaks to something more enduring. Crafted in 18K yellow gold, a continuous line of round brilliant diamonds is set within polished gold circles, forming a sequence that feels both deliberate and effortless.
The repetition creates a visual rhythm, but also something more intangible, a sense of continuity that extends beyond the design itself. Worn close to the skin, the necklace becomes part of daily life. It is not reserved for a single occasion, but integrated into many, gathering meaning gradually rather than all at once.
This is where jewelry becomes personal in a different way, not through statement, but through presence. It is worn often, remembered easily, and over time, becomes inseparable from the person who wears it.
Form, Refined Over Time
As that sense of familiarity deepens, design begins to shift toward structure.
The deBoulle Collection Emma Cuff introduces a more defined silhouette, crafted in 18K white gold and set with bezel-set round brilliant diamonds. The form is clean, measured, and intentional, offering a sense of strength that feels both modern and enduring.
Worn alone, it holds its own with quiet confidence. Layered, it becomes part of a larger expression, adapting without losing its identity. There is a clarity in this kind of design, nothing feels excessive or unresolved. It reflects a stage where style is no longer being discovered, but refined.
That sense of evolution continues in the deBoulle Collection Emma Three Drop Earrings. Similar in spirit to their two-drop counterpart, the addition of a third element introduces a new dimension of movement. The diamonds fall in a slightly longer line, catching light in a way that feels more expansive, more expressive, yet still grounded in the same principles of balance and restraint.
The shift is subtle, but meaningful. A progression rather than a departure that reminds us that even within continuity, there is space for growth.
What Is Carried Forward
Together, these designs form more than a collection. They create a sense of continuity that moves quietly from one moment to the next, from one person to another. Each piece holds its own presence, yet all share the same underlying intention: to be worn now, and to remain later.
This is what gives them their lasting significance.
Because the most meaningful jewelry is not defined solely by how it looks when first received. It is defined by how it lives on, how it becomes familiar, how it gathers memory without losing its form.
It is chosen with care, worn with ease, and carried forward without needing to be explained.
And in time, it becomes something more than a piece of jewelry.
It becomes part of a story that continues.